Skip to main content

Flash Festival 2017: Exposure by Imagine That Theatre Company at St Peter's Church, Northampton

The Play That Goes Wrong is undoubtedly one of my favourite plays (I have seen it three times so far as well), and Imagine That's Exposure is a clear homage to that very show (and indeed all its own influences through time). A group of five actors are about to perform a live television performance of The Picture of Dorian Grau, and they are absolutely planning on it going tremendously smoothly.

Lewis Hodson
Lee Hancock
It doesn't of course and for the best part, this little production does much of its buffoonery very well. There's more than a few issues and fluff, and at times it feels a little too wacky for its own good, however, this is slapstick and it is not meant to be clever.

The best part of this show, and one which The Play That Goes Wrong does perfectly as well, is the opening gambit of audience interaction. During the buildup to both shows, things are amiss, in one the set is falling apart and needs help (cue audience member), in this one two of the actors can't find one another and seek the assistance of the audience. This unscripted, reactionary piece featuring Lewis Hodson and Lee Hancock is genuinely and perhaps awkwardly the best part of the show due to an excellently reacting, mostly student audience. It makes you wonder if there might have been tumbleweed moments at the other two performances.

Lauren Scott
Hans Oldham
The rest of the show is hit and miss, when it works, like Lauren Scott being a tremendous bloke, it's great. When it doesn't, repeating the same joke, it annoys rather than thrills.

Exposure's biggest problem lies in being too loving of its influence. At times it is so close to The Play That Goes Wrong, is loses all of its own identity. Characters are largely similar, you have the audience reactionary one (Ben Barton), you have the lady and her relationship with another character, the Chris Bean identikit (Hans Oldham).

Ben Barton
I wanted to love Exposure simply because of its love of that other show, and to be honest I loved it more than I hated it. The opening sequence was magnificently entertaining and Lewis and Lee were a tremendous doubleact and perhaps the strength of that particular sequence that performance was detrimental to the rest of the show. It was however much more fun than glum and at the end of an hour that is absolutely fine.

Performance viewed: Thursday, 25th May 2017

The Flash Festival 2017 ran between Monday 22nd and Saturday 27th May 2017 at three venues across the town.

Comments

Popular posts from this blog

Review of Woman In Mind by Masque Theatre at The Playhouse Theatre, Northampton

I like Alan Ayckbourn, I may only have seen a few of his vast array of plays previously, but all have been a delight, often crazy yes, but constantly funny, and especially in the second act spiralling often into just on the very edge of believable nonsense. With Woman In Mind, acknowledged by many as one of his finest works, my own personal jury is very much out on whether I liked it or not.
What was very good, mostly, however, were the performances, most especially the two that we are introduced to at the very beginning. The prostrate Susan (Nicola Osborne), with sinisterly lurking rake alongside her, and the bag struggling doctor, Bill (John Myhill).
Nicola Osborne has the unenviable task in this play of never leaving the stage, a feat in itself. Add to this the constant weaving of the character's world (more on this later), and you have a role featuring some significant challenge, one that Osborne ably surmounts. I once described Osborne as a "safe pair of hands" in …

Press launch of Sting's The Last Ship at Errol Flynn Filmhouse, Northampton

On Friday 16th February 2018, I attended the official press launch of The Last Ship. In attendance were the writer of the show, Sting, and cast members for the 2018 UK tour Richard Fleeshman, Charlie Hardwick and Joe McGann, with musical support from Rob Mathes.

During the event, opened entertainingly by producer Karl Sydow, Sting and the cast members performed seven of the songs from the show: The Last Ship (Sting), Dead Man's Boots (Sting and Fleeshman), Sail Away (Hardwick), The Night the Pugilist Learned to Dance (Fleeshman), What Say You Meg? (Fleeshman) and What Have You Got? (Sting and cast).

Each of these songs showed us a great background to the evocative tale that The Last Ship tells, of a community under attack as its crucial shipbuilding industry begins to fail. The performers and Sting himself delivered the songs with huge passion, despite, as Sting himself commented, the earnestness of the hour, with the event beginning at 10 am.

The Last Ship was initially inspired …

Review of Accused, performed by University Of Northampton BA Actors at St Peter's Church, Northampton

Going into seeing Accused, the first devised show by this years third year BA Actors graduates, I have to confess I shamefully knew nothing of its influence, Oscar Wilde's The Ballad of Reading Gaol. However, it wasn't a great leap for me to identify that the piece gorgeously sung by the whole cast at the end of this really imaginative piece, was indeed part of the Ballad itself.

The Ballad it turns out, written by Wilde during exile following release from Reading tells of the execution of a man called Wooldridge, a man hung for cutting the throat of his wife. In Accused, we have another prisoner, destined to hang, but cleverly for what remains to its end, an unknown crime. It's bad, pretty bad, clear from the reaction of both prisoner and guards alike, and the Accused's life is generally in danger a great deal, long before the Executioner (played extremely nicely by Georgi McKie) comes to do her bidding.

Playing the Accused, and really rather brilliantly, is Alexande…