Skip to main content

Review of The Addams Family at Royal & Derngate (Derngate), Northampton

It is twenty years since The Addams Family last graced the cinema screens and over fifty since the TV series finished, yet it was as if it was inbred into the entire audience as seconds into this musical they were all either clapping or finger clicking to the famous "click click" of the theme tune. The matinee audience was as contrasting as you could imagine, with the typical retired members and vast numbers of children of all ages in several school groups, however, whatever age all were entranced as this captivating musical took to the stage.
The first thing that is very apparent from this touring production of the 2010 Broadway musical is how gorgeous it looks. A stunning and innovative set from Diego Pitarch and beautifully dressed, this is no cheap budget touring production.

After the overture, the musical credentials are set high early with the lively When You're An Addams performed brilliantly by the whole company, and it is a benchmark for a glorious collection and, as expected from the best musicals, a contrasting collection of all styles. There is the lovely gentle What If?, the epic One Normal Night and perhaps my own favourite, the lively showtime Full Disclosure.
Cameron Blakely (Gomez) and
Samantha Womack (Morticia)

The cast is really brilliant throughout with in particular a quite amazing Cameron Blakely as Gomez, he like the rest of the cast has a superb singing voice, however, he imbues so much wicked character into the role as well.

The known names of this show do not let the side down either, Samantha Womack is a deeply and darkly alluring Morticia, creating a huge amount of comedy from the deadpan character and her grimacing smiles. She shares also a stylish tango routine with Blakely, showing some neatly hidden moves. Les Dennis is also a treat as Fester, part narrator and part comic Uncle, he as expected nails the comedy, however, he also is surprising and unexpectedly good in the singing routines. His performance of The Moon And Me is really truly a sweet moment.

Carrie Hope Fletcher is always a star and her cheeky and super confident Wednesday is a true delight. Full of real mischief and character, and of course a totally stunning singing voice. Dickon Gough steals every scene he appears in as the silent growling Lurch, and has a neat trick for the audience up his sleeve at the end. The ensemble from this production is also tremendously strong creating Alistair David's brilliant choreography with tremendous style and skill.
Carrie Hope Fletcher (Wednesday)
and Cameron Blakely (Gomez)

Marshall Brickman and Rick Elice's book, coupled with Andrew Lippa music and lyrics absolutely nail the dark and mischievous character of the show, treading a fine and clever balance between fun for the younger members and slipping some occasional very adult jokes into the piece without stepping too far. Therefore totally leaving this a show absolutely for the whole family.

The Addams Family is a quite brilliant production, full of visual flair, stunning tunes brilliantly performed by the cast and a lovely reminder of the classic show/film, but also accessible enough for anyone unfamiliar with the original. Get yourself to this promptly as it's too good to be missed and you never know whether you have much time as we all know Death is Just Around the Corner.

««««½


Performance reviewed: Wednesday 10th May 2017 (matinee) at the Royal & Derngate (Derngate), Northampton.

The Addams Family runs at the Royal & Derngate until Saturday 13th May 2017 
and continues it's throughout 2017. Details of dates and locations can be found at http://www.theaddamsfamily.co.uk/

For further details visit the Royal & Derngate website at http://www.royalandderngate.co.uk/

PHOTOS: MATT MARTIN
The cast of The Addams Family

Popular posts from this blog

Review of Cluedo 2 at Milton Keynes Theatre

Back in 2022, the original Cluedo stage play, based on a 1985 play by Sandy Rustin, itself based on the cult US film Clue , journeyed to Milton Keynes Theatre as part of a UK tour. It was, it has to be said, an average affair, made good by some excellent staging and at times a very fair tribute to the original board game. Now two years later, the success of that tour clearly warranted a return to the franchise and we find Cluedo 2 now on stage at Milton Keynes Theatre. So, is a follow-up warranted, and does it address many of the issues of the original? Let's find out. Unlike the original and with no film source material to create a second play from, legendary TV comedy writers Maurice Gran and Lawrence Mark have taken the helm to provide the script for this production. Sadly, the legendary writers have for the best part plowed through their archives of extremely dated, and tiresome comedy. Much of the script is heavy on the obvious, high on the cringe, and while at times it can

Review of Unexpected Twist at Royal & Derngate (Royal), Northampton

This new stage adaptation by Roy Williams of Michael Rosen's Unexpected Twist is a very important piece of theatre. Much like a pantomime's appeal, this special little production could be key to a lifetime of theatre activity for young people who experience it. The production, directed by James Dacre, ticks so many of the boxes to make this interesting for them, talk of mobile phones, streetwise kids at the stories centre, R&B, and beatboxing. It is as down with the kids and as cool as any Royal & Derngate Made in Northampton production I have seen and in arrangement with The Children's Theatre Partnership this is something very special. Not to say that this show is just for kids, as this is as much for grown-ups as well. Rosen's story takes Charles Dickens Oliver Twist , and wait for it, twists a new story from it while linking brilliantly to the trials of life and families in 2023. You see, every modern character in this story sees their world collide with a

Review of The Importance Of Being Earnest at Royal & Derngate (Royal), Northampton

There is no stopping the sharpness of Oscar Wilde's wit, and The Importance of Being Earnest is probably his best-known play, and while Original Theatre Company's touring version doesn't present it at its best, it is still an entertaining evening at the theatre. Jack loves Gwendolen, Algernon decides he loves Cecily, Lady Bracknell disapproves, and both Gwendolen and Cecily can only love Earnest, oh and it also includes a handbag. Major confusion and comic situations ensue. The Importance of Being Earnest in this form is curious, for the most part, it has solid and reliable performances from its cast. Peter Sandys-Clarke cuts a fine figure as Jack Worthing and captures his willing attempt at maintaining dignity impressively as the ridiculous events envelop him. Likewise, Thomas Howes suits the buffoonery of Algernon Moncrieff very well, deftly, and often, casting himself across various pieces of furniture. However, despite this, there remains a lack of that special