Skip to main content

Review of The Winter's Tale performed by University Of Northampton BA Actors at Royal & Derngate (Underground), Northampton

While I had tremendous fun with Merry Wives two days before, I feared The Winter's Tale for one being Shakespeare and tow the fact it wasn't a comedy. This was bad enough for me, and then it turned out that it was Shakespeare doing Greek as well, which was another slight problem that had reared its head in the past. I don't do old language, I am with all this new stuff innit.

So I am afraid that I had trouble with this one, but never because it was of a poor quality. It was obvious that there was some superb, super strong acting going on. I commented in a rather ugly way during the interval that for me proper, giving it some welly acting brings the spit levels to the forefront. During Winter's Tale there was some epic spit moments, particularly during the first half where the truly big speeches came.

Giving it some real welly for me was the epic performance of Sophie-Rose Darby as the "doomed" Hermione. Her speech in court was quite staggering in every single way and one of the best moments I have seen in a University play. Also giving it some clout (hope you like all this proper language I am using) was Stephanie Waugh as Paulina, laying into the gentlemen in quite a way including the poor old downtrodden husband Antigonus (Charlie Clee). I have seen Charlie before in Masque and had absolutely loved his performance in Our Town. In this he bought a softness of character that I felt was pretty much otherwise absent from the very heavy first half, and I was sad to see his untimely demise. However what an absolutely surreal and well staged scene that was.

Although a smaller but pivotal role, I did enjoy Jack Alexander as Shepherd, and whether dealing with Perdita (Annalise Taylor) had taken its toll or not, he somehow seemed to be the only character to have aged in the sixteen years later second half other than Perdita herself, but she was a baby so that doesn't count. I am sure she wasn't too much trouble though as she was very sweetly played by Annalise.

Finally overseeing all the grief and bedlam is Jaryd Headley as Leontes. A totally solid and dominating performance as a generally unsympathetic character (putting it quite lightly), taking the emotions through all the foibles and generally horrible characteristics in an excellent way.

There were many more wonderful performances on show but I sadly had a little trouble sorting the names and people out for the others, my problem not theirs. If you haven't been mentioned, don't take offence. I shall no doubt glow over your performances in the future more manageable (for me) shows to come.

Finally we have what will henceforth be known a Beargate to deal with. Watching The Winter's Tale engineered two magic moments of emphasis as to what my Small Mind moniker is quite relevant. I first draw your attention to Exhibit A in my webpage title above where I steal the famous Shakespeare stage direction for my own nefarious needs. Well until I was informed by fellow theatre goers Mr and Mrs Mudbeast, I was unaware that it was in The Winter's Tale. Bill is see, eminently quotable, I give him that. Even if he isn't my friend. Not that I need to know where the quotes come from. Now Exhibit B is even more painful, it is never big or clever to hope that a man in the bear suit is in fact a polar bear rather than a panda bear, because you have mistaken the fact that a panda bear isn't a bear, when in actual fact you are thinking of a koala (not bear). This is embarrassing enough if it is in familiar company, but then when you bring it to the attention of the director during the interval, it is a veritable disaster. Fortunately I am big enough to realise my (many) mistakes and therefore I bow down on my confused bear knowledge. However I do blame the heat of the Underground for my lapse.

So a wonderful production with director Jamie Rocha Allan using the Underground space in a clever way. I haven't seen the main doors worked so much into a production, and actually I would have been fascinated to watch this from the outside to see all the maneuverings going on. Great stuff even if it is not quite for me but performers with much promise for the third year productions.


Performance reviewed: Saturday 6th June, 2015 at the Royal & Derngate (Underground), Northampton.

The Winter's Tale was one of twos shows being performed at the Royal & Derngate by the University Of Northampton BA (Hons) Actors between Thursday 4th June and Saturday 6th June, 2015

Details of both can be found here:
The Merry Wives Of Windsor
The Winter's Tale

Details of Royal & Derngate can be found by visiting their website at http://www.royalandderngate.co.uk/

Popular posts from this blog

Review of Cluedo 2 at Milton Keynes Theatre

Back in 2022, the original Cluedo stage play, based on a 1985 play by Sandy Rustin, itself based on the cult US film Clue , journeyed to Milton Keynes Theatre as part of a UK tour. It was, it has to be said, an average affair, made good by some excellent staging and at times a very fair tribute to the original board game. Now two years later, the success of that tour clearly warranted a return to the franchise and we find Cluedo 2 now on stage at Milton Keynes Theatre. So, is a follow-up warranted, and does it address many of the issues of the original? Let's find out. Unlike the original and with no film source material to create a second play from, legendary TV comedy writers Maurice Gran and Lawrence Mark have taken the helm to provide the script for this production. Sadly, the legendary writers have for the best part plowed through their archives of extremely dated, and tiresome comedy. Much of the script is heavy on the obvious, high on the cringe, and while at times it can

Review of UoN Fringe 2019: Working For The Man by Naked Truth Theatre at The Platform Club, Northampton

When looking at the prospect of the Fringe performance Working For The Man , it is slightly difficult to work out who is the bravest person involved in this remarkable one performer, one audience member show set totally within or around the edges of a car. I guess I would in my case, say myself, but it takes some daring for performer Ellie Lomas of Naked Truth Theatre to also create a piece that offers the boldness that it does. Working for the Man is perhaps unsurprisingly about the sex trade, and explores exploitation and how, or if, prostitution is taken as a serious profession. It involves no live audio dialogue from performer Ellie Lomas, instead, she inhabits a purely physical performance, that is progressed by the use of a pair of headphones which you are given at the start. Across this audio are instructions of what to do. "Get in the car", "sit in the middle seat in the back", "open the glove compartment" etc, as you move to different areas

Review of UoN Fringe 2019: Unveiled by Myriad Theatre at The Platform Club, Northampton

It is safe to say I think that reviewer and show maker alike never set out to deliberately write a bad review or create a bad show. There is simply no logic in it really for the latter, I mean why would you? However when the latter occurs and the former is there in the audience, things will end badly, and for me, it gives me no enjoyment. For my penultimate show, Unveiled , at this year's University of Northampton Fringe Festival, Myriad Theatre performer Isabella Hunt explores what marriage means to her in what ends up being just 18 minutes of a show that sadly goes nowhere. Marriage to Hunt it seems involves intermittently putting on and taking off a succession of dresses, amongst a collection of anguished thoughts mostly that mainly involves an outrageously over repeated physical piece. There is some very brief interaction with the audience among the lines of "how many of you are married?" and other light thoughts, where the answers are written onto a dress, the